Cosmos returns in fine form in its penultimate episode. Sagan explores the historical and scientific precedents for the search for extraterrestrial life (SETI) and our human desires to not be alone in the universe.
If you want to know why Cassini might be terminated early, or why NASA pulled out of its joint Mars mission with Europe, or why the new ASRG power source was put on indefinite hold, this chart has your answer.
In 1971 I was being trained to work with the airbrush by the map artists at the U.S. Geological Survey's Branch of Astrogeologic Studies in Flagstaff. However, the project I ended up spending about a quarter of a man-year on was a hand-painted map globe of Mars.
Episode 5 focuses on Mars, the planet that has stubbornly refused to conform to the wishes of humanity for hundreds of years, from Lowell to Sagan. Grab your cosmo and join our discussion of 'Blues for a Red Planet.'
Adolf Schaller, an artist on the original Cosmos series, shares his experience of creating the painting, "Hunters, Floaters, and Sinkers" from Episode 2, which speculates about the possible life living in the turbulent atmosphere of a gas-giant planet.
We continue our analysis of Cosmos as we jump back in time to see the birth of modern science with Johannes Kepler or, as Sagan calls it, the first fusion of "imagination with observation." Welcome to Episode 3: The Harmony of the Worlds.
The Voyagers were special when they launched. They have become more so thanks to their longevity, the breadth of their discoveries, the cultural payload they carried, and the sheer audacity of their quest.