The landscapes that surround Curiosity are picture-postcard beautiful.
Space blogger Daniel Fischer writes about the problem of composited astrophotos being distributed through social media channels by people unaware that they are artworks, not documentary photographs.
Curiosity shot a lovely panoramic view of the distant rim of Gale crater in the dramatic lighting of late afternoon on sol 49. Damien Bouic has colorized it, and it is beautiful.
It's a quarterly feast day for me: the day that the Cassini mission delivers three months' worth of data to NASA's Planetary Data System. Here's a few images processed from the October 1, 2012 data release.
Engineers requested that Curiosity be driven to a "nice sandbox" to play in for the first soil sample, and it appears that a sand drift named Rocknest satisfies that requirement.
Curiosity has been shooting photos of the Sun as Phobos and Deimos cross its face, and -- as far as I can tell -- captured sunspots as well.
A beautiful panoramic view of the varied rocks of Glenelg has been transmitted from Curiosity on Mars. But before going any further, it's time to run the first Martian sand through the soil sampling system.
Curiosity has successfully photographed a crescent Phobos in a bright daylit Martian sky.
An amateur-processed mosaic of some intriguing-looking broken rocks along Curiosity's traverse. They were intriguing enough to photograph with the Mastcam -- but not enough to stop and check them out, as Curiosity has already rolled on.
MAHLI opened its "eye" on sol 33, seeing Mars clearly for the first time. On sol 34, Curiosity used MAHLI to survey the parts that Mastcam can't see, including a view right underneath the rover.
Oppy is opening an exciting new chapter in her adventure at Cape York. Having driven down to, over and past Whim Creek, she has now explored halfway down Cape York, to a promising fin-like ridge of dark rock.
Posted by Björn Jónsson on 2012/09/06 11:58 CDT
Back in 1979 the twin Voyager 1 and 2 spacecraft flew by Jupiter. Some of their images were processed into color images and mosaics that have appeared countless times in books, magazines, on TV and on the Internet. Many of these images and mosaics are spectacular but they were processed more than 30 years ago using computers that are extremely primitive by today's standards. It's possible to get better results by processing the original, raw images from the Voyagers using modern computers and software.
Posted by Emily Lakdawalla on 2012/09/06 01:00 CDT
I noticed today that I hadn't seen any amateur-processed versions of Voyager's departing shots of Uranus, so I decided to give it a try.